media.blogs.africamediaonline.com Report : Visit Site


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    The main IP address: 41.193.136.90,Your server South Africa,Johannesburg ISP:Vox Telecom Ltd  TLD:com CountryCode:ZA

    The description :inspiring the producers and custodians of african media collections home digital trade route festivals and events docufest africa 2017 world press photo exhibition 2017 docufest africa 2013 encounters...

    This report updates in 03-Dec-2018

Created Date:2000-03-02
Changed Date:2017-07-06
Expires Date:2018-03-02

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Latitude: -26.202270507812
Longitude: 28.043630599976
Country: South Africa (ZA)
City: Johannesburg
Region: Gauteng
ISP: Vox Telecom Ltd

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DNS

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inspiring the producers and custodians of african media collections home digital trade route festivals and events docufest africa 2017 world press photo exhibition 2017 docufest africa 2013 encounters 2013 training amep shutha consulting digital archives strategy quotes funding proposals digitisation digitisation services project phases digitisation principles clients references digital asset management system memat features system architecture example sites memat history picture sales buying use rights representation testimonials about us press blog writers projects contact us projects twenty ten published work african image pipeline feed on posts -- comments help to set shahidul alam free! aug 24th, 2018 by david larsen on the evening of august 5, 2018, esteemed photographer and founder of the drik photo agency , the pathshala south asia media institute and the chobimela international festival of photography , shahidul alam, was seized by about 20 plainclothes policemen from his home in dhaka, bangladesh. he was arrested under the controversial section 57 of the bangladeshi information and communication technology (ict) act for making statements in the international media about police brutality in putting down a protest by students in which more than 100 people were injured. i got to know shahidul in the early 2000s and together with an englishman, colin hastings, we founded the majority world photo agency in 2004. he is a highly accomplished photographer. as the uk’s guardian newspaper said, “[h]is photographs have been published in almost every major western media outlet, including the new york times, time magazine and national geographic in a career that has spanned more than four decades.” he is a humanitarian of great stature in his home nation of bangladesh. he has also done more than any other person i know of to promote majority world photography in the international media. in fact the very concept of the majority world (as opposed to third world or two-thirds world) was created by him. director of drik photo agency, pathshala photo festival and the majority world picture library, shahidul alam (left) with his daughter at a restuarant in florence, italy during the cepic congress or picture libraries that was being hosted in the city in june 2007. shahidul has won numerous international awards for his work including the 2018 lucie award for humanitarian photography , the harvey harris trophy in 1983, the mother jones award for documentary photography in 1993, the andrea frank foundation and howard chapnick awards in 1998, shilpakala padak in 2014 by the president of bangladesh, and the lifetime achievement award in 7th dali international photo exhibition in china in 2017. it is not surprising that his arrest has sparked significant international outcry from the likes of amnesty international, the committee to protect journalists (cpj), pen international, the south asia media defenders network and publications such as the guardian, the new york times and the washington post. a connection point for us as south africans is that according to him, one of the highlights in shahidul’s photographic career was photographing nelson mandela which he wrote about on his blog . shahidul was accompanying bangladeshi nobel peace prize laureate professor muhammad yunus, the founder of grameen bank shahidul needs our help! please sign the petition on change.org below to add your voice to the many asking for his release and if possible, write to bangladeshi government officials and the bangladeshi high commissioner in pretoria h.e. mr. shabbir ahmad chowdhury . who is shahidul alam? the new york times lens blog on his arrest shahidul’s arrest provide medical treatment to shahidul alam sign the petition to free shahidul #freeshahidulalam who to write to posted in uncategorized | no comments » docufest africa: the exhibition aug 24th, 2018 by david larsen in may 2018 robyn keet, our picture library manager at the time, teamed up with the photoza gallery in rosebank mall, rosebank, johannesburg, to create an exhibition of photography that covered the apartheid period in south africa from the 1950s to the 1980s. docufest africa: the exhibition , showcased at times rare and unusual images of life in south africa taken by leading photographers at the height of apartheid. curated by reney warrington, the exhibition was drawn from collections represented by africa media online. it covered a broad cross-section of society at the time, from the woman’s movement and boys on the border to protest action, the trade union movement and the development of johannesburg. the collection of images was at one time unfamiliar – speaking to us from a different time, a different political reality – and familiar, with so many of the challenges faced then being still with us in 2018. the exhibition included images from the tiso blackstar group collection, paul weinberg, gille de vlieg, george hallet, eric miller, graeme williams and a single image by me, david larsen. on saturday, may 12, 2018 veteran black sash activist and photographer, gille de vlieg, conducted a walkabout of the docufest africa exhibition, particularly her images. the walkabout gathered a small crowd including a number of black sash members who were able to share their experience of protest action under apartheid. our opening night was the same night that david goldblatt was opening the “ five photographers: a tribute to david goldblatt ” exhibition at the french institute. the crowd seemed to move between to the two events. the contrast between the exhibitions fascinated me. reney worked hard to present a different take of the apartheid era. there were no scenes of violent clashes or police brutality, rather images of new buildings in johannesburg and scenes of everyday life were interspersed with images of protest. and she seemed to pay particular attention to images of protest by white south africans. we were looking around the exhibition and my colleague, bandile sizani who is a young adult, commented that he had not been aware that so many white south africans had protested against apartheid. it was a sentiment i heard more than once from young people attending the exhibition. reney did well to present a view of the normal and the abnormal existing side by side. yet when all is said and done, there was one big story in that era, the background against which the normal took place, and that was the absurdity and dysfunction of apartheid. at the end of the day, photographers of that era had a cause and the cause was clear. alan boesak at a beach demonstration in 1989. the image was included in the exhibition by reney without her knowing, so i am told, that it was mine. it was my first year as a student at the university of cape town and i don’t believe i even owned a camera. i am likely to have borrowed my brother’s camera for the day. a group of us from uct went to join the beach protest in strand. it was august 1989 and beach protests had been organised on the “whites only” beaches of strand and bloubergstrand. about 300 of us made it through to the strand before a heavy police presence prevented any more protesters from reaching the beach. the police also prevented the press from getting there. i seemed to be the only one with a camera on the beach that day. allan boesak was there and he sat down under a sign that said “strand & see net blankes – beach & sea whites only”. i took two shots of him alone beneath the sign before people piled in to be in the picture. that is not the case in post-apartheid south africa. whatever you think about the rate of progress since 1994, politically before and after the end of apartheid is like chalk and cheese. as i said in my opening address of the exhibition, though much looks the same, the huge change is that in that era the law was against what was right and in our day, on the whole, the law is with what is right. that is a sea change. but not having a massive c

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